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I-vi-IV-V
One more look at what you missed.
C, then Am, then F.
Then G, the V, and back to C.
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I–vi–IV–V: the fifties progression.
Doo-wop songs of the 1950s ran on it, and “Stand by Me” and “Every Breath You Take” still do.
In C major, which chords make I–vi–IV–V?
It ends on V, so it asks to start again.
V pulls back to I, and I begins the loop once more.
The order is I, vi, IV, V. Which chord is missing at the end?
Same four chords as the pop loop, in another order.
I–V–vi–IV and I–vi–IV–V use I, IV, V and vi. The order changes the feel.
Which loop ends on V, the dominant?
In G: G, Em, C.
Then D, the V. Same loop, same numerals, a new key.
Two loops, one question: did it end on IV, the pop loop, or V, the fifties?
You know the fifties progression.
What you learned
- I–vi–IV–V is the fifties progression.
- It uses the same four chords as I–V–vi–IV, in another order.
- It ends on V, which pulls back to I and starts the loop again.
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